THE HOLDEN INTERIORS
Following on from the stations designed under the aegis of
Charles Holden come the interiors, showing the total design approach used
during the extension of the network and the rebuilding and renewal of its
existing part.
And, although it was eventually built after the war, the
interior that everyone knows from the Holden period is the barrel-vaulted
platform level concourse at Gants Hill, inspired by stations on the Moscow
Metro. Space, uplighters, and good quality materials back up the architect’s
vision.
Over in the western London suburbs, Holden’s new station for
the Underground’s Uxbridge terminus features these stained glass windows by
Erwin Bossanyi, depicting the arms of Middlesex and Buckinghamshire flanking
those of the local Basset family.
But it’s on the Piccadilly Line extension to Cockfosters
where the detail is so fascinating: here at Bounds Green at platform level is
yet another uplighter, along with original tiles and detailing.
Even the ventilators are styled individually: this one is
for Wood Green, so there is a sylvan scene with deer, birds and trees.
The version for Turnpike Lane is rather different: this has
a toll gate (hence “turnpike”) and
houses.
That panel design style is also common to the “Way Out” signs.
Staying with Turnpike Lane, this is the escalator shaft, with
yet more uplighters and original fittings (the station is Grade II listed).
And finally, here is the below ground concourse at Turnpike
Lane, showing the uplighters “protected”
by advertising boards, and the cathedral-like effect of natural light spilling
in. Again, there is plenty of room to circulate, even with the addition of
automatic barriers, and of course the steady increase in passenger numbers.
That’s the end of the Holden tour. But there’s more yet to
come on London’s 150 years of Underground railways.
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